Faulkner & magazine Eutomia
essays and articles
Any critical approach to "That Evening Sun" would never be able | to ignore the racial inequities of the ambience of the South American, in which the story is deeply immersed, since porejam, these inequities, the write and read every word and provide exciting components pressure and also that afflict characters and readers, creating between them a sort of community fear. I speak of this as the opening ambience of this small text, then address the questions concerning the construction so need this tale - the tale as a fragment, since he finds himself immersed in a frank and openly poetic fragment, deployment and extension, therefore, one of the first original poetic Romanticism (Jena) which extends to modernism - and use strategies of suspension and oscillation, which both provide the infinite openness of history as, and therefore, the desired reflective structure, which allows the essay think of yourself as a genre. In addition to tack these to the theoretical issues more comprehensively, we reverse these brief notes for the understanding of the precise and complex construction faulkneriana.
Go forward in a few words 'That Evening Sun' is a short story, inextricably linked to the novel 'The Sound and the Fury' (this is also a novel fragmentary and self-reflective, and, moreover, all the works by this author ), the presence of some of his characters: Mr. and Mrs. Compson, Caddy, Jason eQuentin, three of four children and Dilsey, the black servant on whose shoulders the heavy task of maintaining the physical and moral integrity of the family. The exact date on which Faulkner wrote it is unknown, making it impossible to determine whether the story was written before "OSOM and the Fury", which would make him a kind of germ origin | the river | greater than the tree grows and bears fruit from it; or whether, instead, is after the novel, and it would then be considered a late bud of one of its long branches. This question itself involves the relationship between the fragment and the system, so dear to the Romantics and Early object of much reflection by theorists and philosophers who were part of the movement.
The essence of the reality of racial history, Theresa Towner tells us, is condensed and summarized in the following essays and articles, delivered by Jesus, who is black husband or lover Nancy, the protagonist:
"I can not fool around in the kitchen of the whites," says Jesus. "But white can fool around in mine." Conducted by Quentin, the oldest of the Compson brothers, who commit | suicide at Harvard in 'The Sound and the Fury,' the narrative and its effects are well characterized by Hans Skei:
"Almost without realizing it we are introduced to a world of deep conflict, violence, fear and anxiety seen from the point of view of children, so that their limited understanding and concern about their little problems and stress emphasize the selfishness and indifference of white world. "
The horror of Nancy's what first appears to us that the atmosphere described above all involved, characters and readers. The fear is that her husband Jesus, who had gone to Memphis and there had new life, had returned in order to kill her and was lurking hidden in the pit, waiting for the moment she stayed alone. The anger of Jesus is due to the fact that Nancy found herself pregnant, probably a white, those with whom he prostituted. All this, however, must be inferred from a number of lines, since their own speeches are laconic, vague and repetitive. The narrator does not seem to know very well what he is saying, as Quentin has only nine years old. Again Faulkner refer the reader to forced labor.
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