Skills in a Camera Operator

Camera operators perform a vital role within the camera department on feature films. They support the Director of Photography (DoP or DP), and the Director, by accurately carrying out their instructions regarding shot composition and development. The seamless ease with which the camera moves is the key to the narrative flow of feature films, and is the Camera Operators' responsibility. They are usually the first people to use the camera's eyepiece to assess how all the elements of performance, art direction, lighting, composition and camera movement come together to create the cinematic experience.

The DoP or Director often requests a specific cameraman in Sydney, who in turn makes recommendations about the rest of the Camera and Grip Departments. The work is physically demanding, and requires high levels of strength and stamina. Hours are long (12-14 hours a day), and some foreign travel may be required, involving long periods spent away from base.

Job Description of a Cameraman

Camera Operators usually begin work at the end of pre-production and, if the budget allows, attend the technical recess with other Heads of Department. They work closely with the Director of Photography (DoP), Director and Grip, and are responsible for the 1st Assistant Camera (AC), 2nd Assistant Camera (AC) and the Camera Trainee.

After the Director and DoP have rehearsed and blocked the shots, the Camera Operator and DoP decide where to position the camera, and what lenses and supporting equipment to use. Camera Operators liaise with the Grip and other Heads of Department, and keep them informed about how the position and movement of the camera might affect their workload. They oversee the preparation and checking of camera equipment. During shooting, Operators are responsible for all aspects of camera operation, enabling the DoP to concentrate intensively on lighting and overall visual style.

Camera Operators ensure that the camera and associated equipment are prepared for the required set-ups, always keeping alert for any last-minute changes. They must be able to multi-task, to watch, listen and think on their feet while carrying out complex technical tasks. They liaise closely with the Director, fine-tuning the exact details of each shot, which often involves suggesting creative improvements or alternatives. They supervise the logistics of moving the camera, and oversee the Camera maintenance work carried out by the Focus Puller and the 2nd AC.

Camera Operators work closely with performers, guiding them on what can and cannot be seen by the camera. As it is now common for DoPs to also operate the camera on smaller films, many Camera Operators specialize in the operation of other precision equipment, such as Remote Heads or Steadicam, and most also work on commercials, promos and television drama. On bigger budget films, the role of the Camera Operator remains a crucial link between the creative ambitions of the Director, the DoP, and other major departments, including Art, Hair and Make-Up and Costume.

Skill sets required in Cameraman

Camera Operators need some advanced technical abilities. Combined with creative skills, they should also know the process to operate the camera to achieve the desired result. They need a good working knowledge of all camera systems, lenses and camera support equipment; of available accessories such as remote focus systems, video senders and receivers, and of any other regularly used equipment. Creative input and artistic ability are vital. As the decision-making process may take some time, patience is also essential.

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